Believe it or not, I’ve had my OP-1 for four years. I first purchased it during a Columbus Day sale in 2013. I play piano having taken classical lessons when I was a kid. I’m interested in classical orchestration, so this is what I’ve used the OP-1 for. I have owned several synths since buying the OP-1 (Mutable instruments Ambika, DSI Prophet '08, vintage Ensoniq SD-1) but if I had to keep only one, I’d keep the OP-1.
Nice breakdown - everyone has there own bits and pieces that they like/dislike about it.
@tumble2k the Valve Synth is very good at doing Rhodes like sounds. It also has a more analog synth feeling.
Maybe try to slow down the tape to get more minutes on the tape. I myself was never doing so (only speed up but I think the quality is still ok then.
Very nice brief on the OP-1 by the way!
Nice idea @tumble2k, and good summaries too !
I’ve got the OP1 for 3 years now, my first hardware synth was the Novation Ultranova, which is a great VA for synthesis introducing. Before that I was mainly making music with VSTs on a DAW since the 2000s. Now I’m trying to make all these things works together. When I wanna have fun fast, I’m making some beats on push and playing the OP1 and Ultranova ( sometimes JU or SH).
I would like to create more electro acoustic music, cause I’ve got some interesting instruments as the didgeridoo, rattletraps and a steel drum … I think the sampler side of the OP1 will be perfect for that.
I love my OP1 ! Currently the first negative point (and not the least) is that these days, I do not really have time to make music… so when I’m taking time to have fun, I’m making new tunes I never finish :).
Whereas, as you said above, the op1 allows to create and finish tracks in an efficient way. I have to find more time and more efficiency.
I agree with you @millbastard about the tape/sampler + synth. Even if the synths engines can be really surprising !
However one thing is annoying for me : the « click » sound randomly produced sometimes. I haven’t figured out how to completely eradicate this sound « glitch ». Last firmwares improves this but it doesn’t totally disappeared.
Finally I agree, OP1 gonna be a forever classic and it drives creativity for sure !
It’s an ultra portable mini studio
Just realized that next month I’ve had my OP-1 for four years too! I guess it’s time for an “interim verdict” from me as well.
I was just telling my wife yesterday that despite my lack of using my OP-1 as much, I still love it. Last year when i decided to buy one, it was that or an Ableton Push 2. I chose the OP-1. It’s a love affair with the OP-1, but as I said, sadly I don’t really use it a lot. I just ordered the Push 2 and started using Ableton Live much more to write, record and will use the Push to perform. I’m tempted to sell mine but I fear that I would forever regret it and miss it. I think I’ll most likely keep it out of love and I hope to use it more but as far as production goes, I’ll likely be using the Push 2, Ableton and my other synths.
@millbastard, that’s a great tip. I forget how much power there is in resampling a synth. My only quibble is that the original LFO rate becomes pitch dependent. But I expect it will work quite well anyway. I think the limitations are great too. Pianos don’t have an Undo function.
@vehka, I have a 1.5 year old. When did you let him start using the OP-1? I'm afraid he's going to destroy some keys.I started mine at about 3 but only supervised. Here's an early play:
He’s 6 now, would leave him to it so long as I’m not precious about what’s on the tape or current sequences.
Great review of sorts @tumble2k - I’m on my second OP1 and can’t see me selling it again. I missed it so much!
<a href="/index.php?p=/profile/tumble2k" style=“margin: 0px; padding: 0px; border: 0px; outline: 0px; font-size: 13px; font-family: “lucida grande”, “Lucida Sans Unicode”, tahoma, sans-serif; vertical-align: baseline; text-decoration: none; color: rgb(1, 115, 198);”>@tumble2k Funny, I just mentioned this thread to my wife and she said “oh, you will always have to keep the OP-1, it’s not only cute but dang it’s powerful… plus, 10 years from now, it’s going to be a classic worth more than you paid, an heirloom” I said to her back about ordering the Push 2, and I believe this, that learning it will make me better, faster and more proficient at producing on the OP-1 as well!
Yeah my kid’s been playing it for the past half a year or so (so from 3 years onwards), but always strictly supervised. We should have a separate thread for OP-1 for kids / for music education. =)
No problems with beatmatch. The only thing with slowing down the tape after you recorded some sounds the notes/pitch will be different of course, but I never had any difficulties with that.
My favourite thing about this post is the fact that there are classical composers out there using the OP1. Rock on brother.
@vehka I’ll wait a couple of years before letting my son use it.
I wish it was more customisable. There are 3 sequencers I barely ever use and that memory space could be used more efficiently
I’ve had it for about 3 months and it never stops inspiring me. As a jazz guitarist it’s amazing to be able to make music out of anything I hear. I realized about a month in the op1s true nature, as a Tape - Sampler - sequencer- Synth/drum in that order. If you buy an op1 trying to get all those classic analog sounds you’re going to be very disappointed. If you’re a lover of all things timbre like me, it doesn’t matter what makes the sound as much as how it sounds. There are plenty of sounds to create with this device to the point where one should never be in a rut. and while you can make an entire album with an op1 and a daw, it should be thought of as a sketch pad for ideas on the go as well as a workstation. Things don’t have to be created, recorded, arranged, and mastered on the op1 alone(i feel like most the nit pickers attempt to do this), it can be but not required.
I really need to start using the other sequencers like tombola, sketch etc. The main sequencers I use are endless, arp, and the finger. I’m gonna send some cv stuff from the oplab to my modular using the tombola sequencer before I forget. Anyways I’ve had my op1 for over 4 years too. Mainly just compose full tracks on it and then export to Ableton to finish it up if it needs extra stuff or for more complex sequencing/editing. Op1 is a classic.
I ve the OP1 for about 3 or 4 years:
I love the tapedeck + drums most. Usually I play some chords with my guitar on the first track, then I try out some drums and percussion (from the op1) to support that rhythm (I know usually the drums should come first, but for me it feels better this way) and than I start to jam with either my guitar or some synthesizer like the DX7. The whole wordflow and how fast it all goes is what I love most, also I think it is a big advantage that I can NOT undo things. Usually I wanna do stuff perfect, if I work on my computer in Reason it sometimes needs forever, because I change little things within the music I do… on the OP1, I really practice music and have fun, because of its limits in certain areas. Maybe that sounds a little strange, but I hope you know whatI mean.
Overall I think the sice and how much you can do with it, is what makes it as awesome as it is… bigger or more keys, more time on the tapedeck… all this would change somehow what it is.
On the downside I am kinda shocked that for such a expensive little beast I already have 3 keys that dont work… that’s something which shouldnt happen within such a short time.